- Guidance
- Mario Gosálvez
- Course ID
- TOOL07_2022_WS
- Course Start
- 14/03/2023
- Course End
- 22/04/2023
Research Fields
- Music and Instrumentality
Theoretical and practical knowledge of most of the resources to facilitate the creation and programming of music through the sequencer and virtual instruments.
Objectives:
- Master the techniques of computer programming, emulation and production and learn in practice their advantages and limitations.
- We will be able to use the main score notation programmes with agility.
- Know the production processes from the initial idea to the final result and know how to prepare scores and separate and record tracks to share audio files and musical data with other production collaborators such as directors, sound engineers, orchestrators, copyists, sound designers, etc….
- Have the experience of having solved in practice a good number of computer music emulation exercises in order to be technically prepared to solve any assignment in the future.
Contents:
- The sequencer – 1
- Virtual Instruments – (Logic Instruments and NI Kontakt Player)
- Midi recording, editing and transformationTempo, key and time signature changes
- COMPOSITION: Introduction to composition for symphony orchestra.
- Orchestral programming -1 (String, Brass and Woodwind)
- Additive and substantive synthesis – Modular synthesis.
- Modules and synthesizers. Wavetables, Alchemy and Omnisphere 1 and Arturia 1.
- Synchronisation Techniques with the image -1
- Controllers and modulators (Control Change).
- COMPOSING FOR BANDS (pop, rock songs)
- Programming drums, bass and guitars Introduction to preparing projects for sound mixing.
- Introduction to equalisation, compression and the addition of effects – 1
Methodology:
Teaching based on theoretical learning and practical experience through problem solving in the realisation of small composition and music production projects.
Assessment and/or monitoring mechanisms foreseen:
Continuous assessment with corrections of class work and final exam.
Dates and place:
– 6 online sessions of 3 hours on Tuesdays from 5pm to 8pm: 14/3, 21/3, 28/3, 4/03, 11/04 and 18/04.
– 2 face-to-face sessions of 4 hours on Saturdays from 9am to 1pm at the Teatro Canónigos in La Granja de San Ildefonso: 01/04 and 22/04.
25 hours
Target audience:
Students or graduates of one of the following levels of studies: higher, degree, master and/or doctorate.
Registration and conditions:
- In the event of not exceeding the minimum number of students, the full course registration fee will be refunded.
- NO refunds will be made to those who cancel their enrolment within 4 days prior to the start of the course.
- Recognition of ECTS – RESOLUTION of 6 May 2019, of the Rectorate of the University of Valladolid (BOCyL no. 94 of 20 May 2019).
- For more information please contact us at 983.18.46.25 or send an email to formacioncontinua@funge.uva.es
- Once registered and enrolled in the course, the course will be available for registration on the IKG Campus 7 days prior to the course.
Tools
Theoretical and practical courses with specific themes and contents for their application in the most avant-garde and demanding artistic research projects. Artists, researchers and students will be able to acquire multiple skills according to their training needs and level of knowledge. Depending on their nature, the courses are given on-site at our headquarters in San Ildefonso, on the IKG's virtual campus or with a mixed presential-virtual structure. Some courses may be complemented with Labs.
Theoretical and practical knowledge of most of the resources to facilitate the creation and programming of music through the sequencer and virtual instruments.
Objectives:
- Master the techniques of computer programming, emulation and production and learn in practice their advantages and limitations.
- We will be able to use the main score notation programmes with agility.
- Know the production processes from the initial idea to the final result and know how to prepare scores and separate and record tracks to share audio files and musical data with other production collaborators such as directors, sound engineers, orchestrators, copyists, sound designers, etc….
- Have the experience of having solved in practice a good number of computer music emulation exercises in order to be technically prepared to solve any assignment in the future.
Contents:
- The sequencer – 1
- Virtual Instruments – (Logic Instruments and NI Kontakt Player)
- Midi recording, editing and transformationTempo, key and time signature changes
- COMPOSITION: Introduction to composition for symphony orchestra.
- Orchestral programming -1 (String, Brass and Woodwind)
- Additive and substantive synthesis – Modular synthesis.
- Modules and synthesizers. Wavetables, Alchemy and Omnisphere 1 and Arturia 1.
- Synchronisation Techniques with the image -1
- Controllers and modulators (Control Change).
- COMPOSING FOR BANDS (pop, rock songs)
- Programming drums, bass and guitars Introduction to preparing projects for sound mixing.
- Introduction to equalisation, compression and the addition of effects – 1
Methodology:
Teaching based on theoretical learning and practical experience through problem solving in the realisation of small composition and music production projects.
Assessment and/or monitoring mechanisms foreseen:
Continuous assessment with corrections of class work and final exam.
Dates and place:
– 6 online sessions of 3 hours on Tuesdays from 5pm to 8pm: 14/3, 21/3, 28/3, 4/03, 11/04 and 18/04.
– 2 face-to-face sessions of 4 hours on Saturdays from 9am to 1pm at the Teatro Canónigos in La Granja de San Ildefonso: 01/04 and 22/04.
25 hours
Target audience:
Students or graduates of one of the following levels of studies: higher, degree, master and/or doctorate.
Registration and conditions:
- In the event of not exceeding the minimum number of students, the full course registration fee will be refunded.
- NO refunds will be made to those who cancel their enrolment within 4 days prior to the start of the course.
- Recognition of ECTS – RESOLUTION of 6 May 2019, of the Rectorate of the University of Valladolid (BOCyL no. 94 of 20 May 2019).
- For more information please contact us at 983.18.46.25 or send an email to formacioncontinua@funge.uva.es
- Once registered and enrolled in the course, the course will be available for registration on the IKG Campus 7 days prior to the course.
Tools
Theoretical and practical courses with specific themes and contents for their application in the most avant-garde and demanding artistic research projects. Artists, researchers and students will be able to acquire multiple skills according to their training needs and level of knowledge. Depending on their nature, the courses are given on-site at our headquarters in San Ildefonso, on the IKG's virtual campus or with a mixed presential-virtual structure. Some courses may be complemented with Labs.