Decentralised aesthetics reflect a post-conceptual contemporary context. Could such decentralisation help overcome binary conceptions of space (Euclidean/non-Euclidean. Real/virtual. Interior/exterior. Absolute/relative)? The technologies involved in spatial practices –  production and reproduction – are deeply rooted in histories which uphold binary distinctions, yet the world is moving towards a more nuanced understanding of polarities, not least in response to the extremism in various social spheres. Might the development of spatial aesthetics hold uniquely prescient lessons for such inequalities? Do spatial practices in some way provide unique opportunities to decentre the singular artistic vision, to activate other actors (human or non-human) and to contribute to a new aesthetics? To think and work in non-binary terms is a vital redress to current polarisations in the worlds, and will forge our futures.